20 silhouettes of human figures, each one holding and presenting an abstract window grid, sprayed directly on the gallery wall and on canvas. Together the silhouettes are the after-image of a mysterious ritualistic performance. The postures slightly choreographed, reminds us of the gestural body language of the victims of Pompeii and Hiroshima, and a baroque effect.

The object presented to us by the figures on the wall are the negative silhouettes of window-rails that the artist found while walking around the streets of Jaffa. The rails’ designs are nineteenth and twentieth-century eclectic style motifs that have been reduced to become architectural decoration, but that perhaps once had a symbolic meaning that now has been forgotten. The figures are offering us both a literal window into the imaginary world and a graphic system that may be de-codified and reactivated. At the same time, one has to remember that these human silhouettes stand behind bars, imprisoned on the canvas and the walls.